Artist Meriç Algün explored the complex role of the stepmother in the exhibition The Patient is Crying. The recurring symbol became the pansy – interpreted, among other things, as wallpaper.
I immediately felt a strong trust in their expertise and sensitivity to materials. They’re incredibly dedicated and wonderful people – it felt almost like stepping into a small family of wallpaper nerds, which was exactly what my project needed. I was also warmly recommended by craftspeople here in Stockholm, at Handtryckta Tapeter, to contact Ulricehamns Tapetfabrik. All this made the choice very easy.
Meriç Algün, Artist, Exhibition The patient is crying, Lunds Konsthall
